One day Perry Beckett took a pulled pork sandwich to Bone’s basement and when he got there, he said he wished he had told them to put more sauce on it. “So take it back over there and tell them you want more sauce on it,” said Bone. “They got the sauce in squeeze bottles on the counter,” said Perry …
The street terminates
In ‘The Tapioca Stairs’
25 granite steps dividing
Or connecting two neighborhoods
Tuesday morning pale blue sheets
Rise on the breeze
& French Reggae flavors
The tepid coffee until
It is more than tolerable
I think I can taste
Cinnamon, meanwhile the bird
Droppings promise to change
This dismal cul-de-sac
Into a garden (perhaps
Less dismal) eventually.
The dog at the bottom of the steps
Has worked a distant paw
Under her flea collar
The angle is impossible but
I predict success sometime
Before the first neon letters
Quicken tonight, I predict
So many lovely things, Oh well
There are store fronts and
Cafés with doorways it is
Always a pleasure to loiter
Within, exchanging a quip
Or flared nostril with this
Japanese detective (say) or
That Belgian photographer
’s model & later lounging
On the steps, dim violet light
Spreading across the bricks,
Deciding in which of these possible
Cities we will spend the night,
Deciding whether our window
Will open on the emerging sun or
The sun-kissed reservoir, and
What music will be streaming
Through the walls when
We kick off the blue sheets. Once
I thought I would wake
Every morning in a world where
The doors dilate and red shifts drop
Coyly to the bedroom floor
But most of the time
I wake up
In this one.
We’re only ever where we think we are, right? So, it’s possible… – mh clay
Half the world we hauled into the sky,
Rocks rising in fishing nets,
Dirt & stone ramps spiraling up,
Carts jammed with ash and
Black maple to frame the windows
We broke for lunch
Pointing with our sandwiches
At a cracked window frame
Well, that won’t do at—
For a second the windows framed a flying boy
A trick of the light! We laughed
And barked, warm beer shot
Out of someone’s nostrils,
All right, enough, we need to plane the door again
So let’s get back to—
Then burning feathers,
Burning wax, the far-off scream,
We filled the windows
And watched him pump and flail
All the way down
To the diamond hard water
The world stopped making sense
And so did we. All words failed.
We cobbled our own alphabets together,
New letters no one could read.
Some will watch, while others will Icarus be. – mh clay
I thought I was the king of the garbage cans
But now I know I am a fabulous invention!
The fly strip over the kitchen sink drain
Is a choral symphony with a nutty fugue in the last movement!
I want to turn on the faucet and see a silent movie with Buster Keaton,
A new one! & I want a picture of a monkey on the label
Of my soda bottle! I want more blue everything,
Please! I used to be a strawberry,
But then I got hip to the whole strawberry thing
& now I am full of moons and half moons
Right up to the eyeballs. My light is reflected light
But it is still sweet as butterscotch,
& the witches on roller skates slow down
To say nice things about my lizard tattoo.
Ain’t no resolutions without resolve; know what you want (and what you have). – mh clay
A quiet night at home
Struggling to unwrap
Her phantom alphabet
‘This is a rare remake
That is better than the original’
She insists, we are talking about
Black-eyed peas & collard greens as
Someone slides a telegram under
The door as if it were 1943 & a
Black & white world, it is a note
On crisp music paper
Requesting us to lower the volume
Of the hi-fi. We do not have
A hi-fi. Do we know anyone
Who composes music? She rubs
The flat of the pencil across the words
& a grocery list emerges
Also a doodle which might be
A turtle or might not. ‘Every vegetable
Is a palimpsest for a vegetable
Now defunct,’ she says. Someone
Knocks on the door. ‘It says so on
The okra can.’ That was a whisper.
‘It does not say that
On the okra can’ (also a whisper)
& then no sound at all
Except the pounding on the door
& the man shrieking at us
To turn down the hi-fi.
editors note: Over written to right over and request to turn it down. Really! Revisionists all. – mh clay
Homeward under the railroad bridge
The crab nebula foams like a spilled beer
She’s watching from her window
The snow is sulfur the snow is rubber
The plume of Con Edison steam
Cocks its top hat like Marlene Dietrich
My pupil will never recover
From her lightning bolt t-shirt
From her carbonated beverage
Or her eyebrow
Wrenched into a square root sign
By her indelible stink eye
White bright world spins around random radio tower
Cadmium yellow or Wreck of the Hesperus red
My brain is saturated with terrible light
My sink is full of Woolite
Everything looks like an album cover
Everything sounds like bubbles.
Enveloped in evil eye, implosion imminent, in a hiss of bubbles. – mh clay
Today when I cut through the alley
The alley did not cut through
It flowered into a labyrinth
And I didn’t find my way to the center
And I didn’t find my way to the end
And I could not find my way back to the start
I could hear the broken radios buzzing
And the frantic dog who could not answer the phone
And the young couple arguing about whether
The toilet paper should roll from the outside
Or the inside
And in the far distance
Slices of toast popping out of the toaster slots
Sitting up in their coffins
In a John Carradine movie.
But why be morbid?
I know you will find me eventually
I sat with my back to the coiling wall
And sharpened my horns.
String your sanity out behind, murder the minotaur, lose your mind. – mh clay
This was an asylum
For the criminally
Insane (The innocently insane
Had been collected
Elsewhere) and when we first
Broke in, the last
Mad man was still chained
To the back wall;
Well, not the last mad man
Per se, but his pajama-clad bones,
Some of them.
We put up
Drywall, we built
Shelves, we hosed down the
Concrete floors and advertised
Incredible sales with
Handmade posters taped
To the cinderblock façade
We waited in our bright aprons
For the eager shoppers
Who in the end could not
Find their way to our
Fabulous bargains through the
Tractless swamp. Only the
Ghosts of the long dead lunatics
Drifted down the aisles and
(Perhaps out of pity)
Purchased a can of black
Eyed peas or a box of
Bisquick before returning
To wander out back
By the dumpster, which
Was already sinking
Slowly into the bog a week
After we’d paid the waste
Removal company to slide it
Into place. Now we are only open
For an hour a week, otherwise
The doors are chained &
We sit here in the dark
Waiting for someone in search
Of supplies to stop by.
The candid concerns of a “going concern,” apparently not going anywhere. – mh clay
On the landing.
A hand painted neck tie
wrapped around my knuckles.
Somebody doing the dishes and singing
a song about summertime.
My mind needs more colors
She gotta wash the sheets.
One of her toe nails looks funky and
I don’t like it. She doesn’t
like it either.
Painting it bright red isn’t the answer
to anything. I like the light
around the edge of the door,
It makes me think about
a party happening in there.
So now I’m on the subway
dreaming about carrots.
Now I’m on the subway
thinking somebody here didn’t change his socks today.
Now I’m on the subway
wondering if the end of the line is somewhere
nobody is allowed to talk about,
someplace a thousand miles away and
You have to get on the right car
at the right time. Someplace with ice.
It hurts to make a fist.
It hurts to make a decent pot roast.
It hurts to make a moon pie do the things
a moon pie don’t wanna do. I think that’s a song.
When you remember to water the plants
everything is better, even the things
that have nothing to do with the plants.
So now I’m tying the tie around my neck.
It has the Chrysler Building painted on it.
It made me happy when I bought it,
I dug into my pocket for ten bucks
and thought, ‘wait a minute, how do I wash the thing?’
and that made me happy, too.
Just pick the bugs off, I said, walking down the street
on the balls of my feet like a boxer, like a dancer,
Pick off the bugs and watch the fork
when you’re eating pasta. You’ll be fine.
This really ties things together; happy be. (To get that extra layer of smile, listen to the suite here.) – mh clay
Watch, Anita! The cloud’s blotted,
(The one that looks like Larry Fine), the
Sky’s sliced (or do I mean
An edible parabola!
Pale hot blue &
Pale blue ice
Carved into the air
By my orange thunk! & thwup!
Every impact spreads
The citrus ripple
To another dozen
I own every nostril between here
& Tompkins Square, Anita
(& most of the eyes)!
The pebbled skins pink
& we retrieve
Our glasses from the freezer,
My juicer from the sink,
Your t-shirt from the shower head
& sip until the sky
Citric assignations in the big city – fresh-squeezed! – mh clay
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